XII CONGRESSO INTERNACIONAL ABRALIC

XII CONGRESSO INTERNACIONAL ABRALIC

Resumo:267-1

Oral (Tema Livre)

267-1

Francisco Varnhagen, Pedro Américo e Photoshop CS5: Leituras (multi)midiáticas da história ਀㰀⼀戀㸀㰀⼀琀搀㸀㰀⼀琀爀㸀㰀琀爀㸀㰀琀搀瘀愀氀椀最渀㴀琀漀瀀㸀䄀甀琀漀爀攀猀㨀㰀⼀琀搀㸀㰀琀搀㸀㰀甀㸀䜀攀渀愀爀漀伀氀椀瘀攀椀爀愀㰀⼀甀㸀 ⠀唀伀䄀 ⴀ 吀栀攀唀渀椀瘀攀爀猀椀琀礀漀昀䄀甀挀欀氀愀渀搀⤀ 㰀⼀琀搀㸀㰀⼀琀爀㸀㰀⼀琀愀戀氀攀㸀㰀瀀愀氀椀最渀㴀樀甀猀琀椀昀礀㸀㰀戀㸀㰀昀漀渀琀猀椀稀攀㴀㈀㸀刀攀猀甀洀漀㰀⼀昀漀渀琀㸀㰀⼀戀㸀㰀瀀愀氀椀最渀㴀樀甀猀琀椀昀礀挀氀愀猀猀㴀琀爀攀猀㸀㰀昀漀渀琀猀椀稀攀㴀㈀㸀吀栀椀猀瀀愀瀀攀爀搀椀猀挀甀猀猀攀猀琀栀攀椀洀瀀漀爀琀愀渀挀攀漀昀琀栀攀瀀爀漀搀甀挀琀椀漀渀漀昀䈀爀愀稀椀氀椀愀渀渀愀琀椀漀渀愀氀栀椀猀琀漀爀椀攀猀愀猀眀爀椀琀琀攀渀愀渀搀瘀椀猀甀愀氀渀愀爀爀愀琀椀瘀攀猀椀渀琀栀攀瀀漀猀琀ⴀ椀渀搀攀瀀攀渀搀攀渀挀攀攀爀愀Ⰰ 昀漀挀甀猀椀渀最漀渀琀栀攀挀氀漀猀攀爀攀氀愀琀椀漀渀猀栀椀瀀愀渀搀爀攀挀椀瀀爀漀挀愀氀椀渀昀氀甀攀渀挀攀猀戀攀琀眀攀攀渀琀栀攀䤀洀瀀攀爀椀愀氀䄀挀愀搀攀洀礀漀昀䘀椀渀攀䄀爀琀猀 ⠀䄀䤀䈀䄀⤀ 愀渀搀琀栀攀䈀爀愀稀椀氀椀愀渀䠀椀猀琀漀爀椀挀愀氀愀渀搀 Geographical Institute (IHGB). It argues how, besides the investment in publishing books and newspapers, the production of visual historical discourses was also central to the construction of feelings of belonging throughout 19th-century Brazil. In the first part of my paper, I compare Brazilian 19th-century historical texts and images about Brazilian independence. Specifically, I compare the work História da Independência do Brasil, by historian Francisco Adolfo de Varnhagen, finished in 1877 but published in 1916, and the oil painting Independência ou Morte, 1888, by painter Pedro Américo. In the second part, I approach the theme of Brazilian independence through a multimedia method, using computer graphics and web design tools to re-interpret Américo’s iconic painting.

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