ÿþ<HTML><HEAD><TITLE>XII CONGRESSO INTERNACIONAL ABRALIC</TITLE><link rel=STYLESHEET type=text/css href=css.css></HEAD><BODY aLink=#ff0000 bgColor=#FFFFFF leftMargin=0 link=#000000 text=#000000 topMargin=0 vLink=#000000 marginheight=0 marginwidth=0><table align=center width=700 cellpadding=0 cellspacing=0><tr><td align=left bgcolor=#cccccc valign=top width=550><font face=arial size=2><strong><font face=Verdana, Arial, Helvetica, sans-serif size=3><font size=1>XII CONGRESSO INTERNACIONAL ABRALIC</font></font></strong><font face=Verdana size=1><b><br></b></font><font face=Verdana, Arial,Helvetica, sans-serif size=1><strong> </strong></font></font></td><td align=right bgcolor=#cccccc valign=top width=150><font face=arial size=2><strong><font face=Verdana, Arial, Helvetica, sans-serif size=1><font size=1>Resumo:1053-1</font></em></font></strong></font></td></tr><tr><td colspan=2><br><br><table align=center width=700><tr><td><b>Oral (Tema Livre)</b><br><table width="100%"><tr><td width="60">1053-1</td><td><b>Dystopian African literature: Pepetelas case</b></td></tr><tr><td valign=top>Autores:</td><td><u>Fernanda Alencar Pereira </u> (UNB - Universidade de Brasília) </td></tr></table><p align=justify><b><font size=2>Resumo</font></b><p align=justify class=tres><font size=2>The Angolan novelist Pepetela described in Geração da Utopia (1992) [The Utopia Generation] 30 years of the generation who lived the pre-independence period in Angola and who saw their idealized project of a sovereign country sink in the dark waters of corruption and neocolonialism. Recently, in 2005, Pepetela published Predadores [Predators]. In this novel, the main character is on the other side of Angolan history: Vladimiro Caposso is a corrupt businessman who profits from the post-independence reality of his country to enrich himself. The society described in these novels is composed of dystopian characteristics, such as human misery and oppression, which become transparent to the eyes of the readers by the voice of the critical narrators. Considering the definition of dystopia as a bad or inhospitable place, and unbinding this concept from an apocalyptical view of future societies, this presentation aims at analyzing the combined perspective of these two novels to investigate how this literature represents the dystopian reality of African countries like Angola, in the late 20th century, and the role this representation plays in the Angolan literary context.</font></p></td></tr></table></tr></td></table></body></html>