ÿþ<HTML><HEAD><TITLE>XII CONGRESSO INTERNACIONAL ABRALIC</TITLE><link rel=STYLESHEET type=text/css href=css.css></HEAD><BODY aLink=#ff0000 bgColor=#FFFFFF leftMargin=0 link=#000000 text=#000000 topMargin=0 vLink=#000000 marginheight=0 marginwidth=0><table align=center width=700 cellpadding=0 cellspacing=0><tr><td align=left bgcolor=#cccccc valign=top width=550><font face=arial size=2><strong><font face=Verdana, Arial, Helvetica, sans-serif size=3><font size=1>XII CONGRESSO INTERNACIONAL ABRALIC</font></font></strong><font face=Verdana size=1><b><br></b></font><font face=Verdana, Arial,Helvetica, sans-serif size=1><strong> </strong></font></font></td><td align=right bgcolor=#cccccc valign=top width=150><font face=arial size=2><strong><font face=Verdana, Arial, Helvetica, sans-serif size=1><font size=1>Resumo:1085-1</font></em></font></strong></font></td></tr><tr><td colspan=2><br><br><table align=center width=700><tr><td><b>Oral (Tema Livre)</b><br><table width="100%"><tr><td width="60">1085-1</td><td><b>Uprising Textualities, Hybridism and Resistance in the Americas: Slavery and contemporary Afro-Latin American Religious Practice in Luz Argentina Chiriboga, Dahlma Llanos Figueroa and Conceicao Evaristo</b></td></tr><tr><td valign=top>Autores:</td><td><u>Lesley Feracho </u> (UGA - University of GeorgiaUGA - University of GeorgiaUGA - University of GeorgiaUGA - University of Georgia) </td></tr></table><p align=justify><b><font size=2>Resumo</font></b><p align=justify class=tres><font size=2>Drawing on Carole Boyce Davies definition of uprising textualities I will explore how contemporary Afro-Latin American authors Luz Argentina Chiriboga from Ecuador, Dahlma Llanos Figueroa from Puerto Rico and Conceição Evaristo use representations of ritual observances and religious practices, particularly by women, tracing back to slavery, in their contemporary works as sites of hybrid cultural practice that help them navigate discourses of oppression and more importantly develop strategies of cultural identification and resistance. By specifically looking at Afro-Latin American women s performance and navigation of hybrid religious and ritual practices  with roots in slavery-in their respective novels, Jonatás y Manuela, Daughters of the Stone and Poncia Vicêncio I will demonstrate their contribution to the identification of important cultural hybrid counter discourses in the African Diaspora in the Hispanophone and Lusophone Americas.</font></p></td></tr></table></tr></td></table></body></html>